This essay uses evidence from the notes that Joyce made in preparation to recapitulate the historical development of English prose style in the “Oxen of the Sun” chapter of Ulysses to identify the traces of Defoe’s works that appear in the text of the Gabler edition. It investigates how Joyce used strategies of (mis)quotation and syntactical imitation to synthesise Defoe’s individual style and mobilise his authorial imprint, both as a stage in the recapitulation of the evolution of English prose and as a means to enact revenge on the narrative heritage of English imperialism. In doing so, it offers a genetic reinterpretation of Defoe’s presence in “Oxen” by the light of “Realism and Idealism in English Literature (Daniel Defoe–William Blake...
“Ah, there’s only one man he’s got to get the better of now, and that’s that Shakespeare!” -Nora Jo...
James Joyce is a fascinating writer, but he can be a most difficult author to teach. In her disserta...
Roughly two-thirds of the way through Sam Selvon’s The Lonely Londoners (1956), there is a section h...
This essay uses evidence from the notes that Joyce made in preparation to recapitulate the historica...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
In lieu of an abstract, below is the essay\u27s first paragraph. Unable to find the freedom of spir...
“We are still learning to be Joyce’s contemporaries, to understand our interpreter.” This is the ope...
Abstract. This essay focuses on the fifteenth episode of James Joyce’s Ulysses(1922), „Circe”, which...
Criticism of James Joyce’s Ulysses has often centered on the novel’s unconventional narrative struct...
In James Joyce’s Ulysses, I believe that Stephen Dedalus enacts a heteroglossic discourse in episode...
\u27Ulysses is like a great net let down upon the life of a microcosmic city-state, Dublin, wherein ...
The essay traces how, possibly in partial response to the national characterologies of Arthur Griffi...
In the first chapter of Ulysses, Stephen Dedalus makes the claim that he is a servant of two master...
Considering both published versions of James Joyce’s “The Sisters,” this essay discusses the relatio...
There are several hints in The Brief Wondrous Life of Oscar Wao (2007) that Junot Díaz has been more...
“Ah, there’s only one man he’s got to get the better of now, and that’s that Shakespeare!” -Nora Jo...
James Joyce is a fascinating writer, but he can be a most difficult author to teach. In her disserta...
Roughly two-thirds of the way through Sam Selvon’s The Lonely Londoners (1956), there is a section h...
This essay uses evidence from the notes that Joyce made in preparation to recapitulate the historica...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
In lieu of an abstract, below is the essay\u27s first paragraph. Unable to find the freedom of spir...
“We are still learning to be Joyce’s contemporaries, to understand our interpreter.” This is the ope...
Abstract. This essay focuses on the fifteenth episode of James Joyce’s Ulysses(1922), „Circe”, which...
Criticism of James Joyce’s Ulysses has often centered on the novel’s unconventional narrative struct...
In James Joyce’s Ulysses, I believe that Stephen Dedalus enacts a heteroglossic discourse in episode...
\u27Ulysses is like a great net let down upon the life of a microcosmic city-state, Dublin, wherein ...
The essay traces how, possibly in partial response to the national characterologies of Arthur Griffi...
In the first chapter of Ulysses, Stephen Dedalus makes the claim that he is a servant of two master...
Considering both published versions of James Joyce’s “The Sisters,” this essay discusses the relatio...
There are several hints in The Brief Wondrous Life of Oscar Wao (2007) that Junot Díaz has been more...
“Ah, there’s only one man he’s got to get the better of now, and that’s that Shakespeare!” -Nora Jo...
James Joyce is a fascinating writer, but he can be a most difficult author to teach. In her disserta...
Roughly two-thirds of the way through Sam Selvon’s The Lonely Londoners (1956), there is a section h...